女王神剑

在国民党搜捕、屠杀的白色恐怖下，武装起义的浪潮再次高涨。而军阀割据，各方角力的川东地区，也在酝酿着一次起义。时任川军邓锡侯部第7混成旅旅长的旷继勋，心怀革命理想。当他坚定地接过四川省委关于在蓬遂发动起义的命令时，江防军司令唐显也带着“肃清”“整编”的命令悄然而至；心怀不轨的军阀谢德轩随即做起了和事佬妄图大捞一笔。起义的部队不能丢，起义的时间更不能耽误，旷继勋顿时陷入到生死绝地。破釜沉舟的不懈努力，终于找到了破绽——浓雾夜色中的激战后，只留下捶胸顿足的唐显和谢德轩，而旷继勋早已率部成功挺进蓬遂，这是四川第一次武装暴动，并创建了中国工农红军四川第一路军，随后建立了四川第一个县级红色政权蓬溪县苏维埃政府。

　　在浩瀚的宇宙间，有颗名叫“幻域”的星球，上面生存着一支古老的智慧物种。这个种族文明程度极高、而且心地善良，派遣族人穿梭在宇宙间的其他星球上，专为各个星球上的人们了却恒久的执念，在地球上，他们被称为“诛念师”。

　　《红色警戒》是一部有关缉毒题材的悬念动作影片，故事取材于永泰一个农村家庭发生的真实故事，并在福州大量取景。主角王力因童年阴影，从警校退学后当外卖员，因兄弟孙昭和女友白美丽而卷入毒奶茶事件，发现竟与19年前父母的死有关，最终他战胜自己的恐惧心理，成为继承父亲遗志的一名缉毒警察。

《危急营救》剧情讲述了成龙和兄弟大力是卧龙山的两个穷小子，为了生活，二人决定去城里发展，二人去城里以后做起了帮忙要账的工作，无意中卷入一场家族绑架案，兄弟俩凭着自己未泯的良心，没有向金钱屈服，最终惩治了头目并解救了小女孩依依。两人也从替人要债的地痞，转变为“知荣知耻的新人”。影片主题鲜明，立意明确，人物之间的矛盾冲突强烈，通过喜剧演员与特型演员的演绎，故事有嬉笑怒骂的冲突，也有感动流涕的情节，多条线索交织，整体轻松，有颇多逗趣之处。

Director Gary Hustwit (Helvetica, Objectified) completes his design film trilogy with Urbanized. Exploring the design of cities with the world’s foremost architects, policymakers and engaged citizens, Urbanized frames a global discussion about how the design of our cities affects our lives.

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.