在国民党搜捕、屠杀的白色恐怖下,武装起义的浪潮再次高涨。而军阀割据,各方角力的川东地区,也在酝酿着一次起义。时任川军邓锡侯部第7混成旅旅长的旷继勋,心怀革命理想。当他坚定地接过四川省委关于在蓬遂发动起义的命令时,江防军司令唐显也带着“肃清”“整编”的命令悄然而至;心怀不轨的军阀谢德轩随即做起了和事佬妄图大捞一笔。起义的部队不能丢,起义的时间更不能耽误,旷继勋顿时陷入到生死绝地。破釜沉舟的不懈努力,终于找到了破绽——浓雾夜色中的激战后,只留下捶胸顿足的唐显和谢德轩,而旷继勋早已率部成功挺进蓬遂,这是四川第一次武装暴动,并创建了中国工农红军四川第一路军,随后建立了四川第一个县级红色政权蓬溪县苏维埃政府。
功夫小子随师父回日本老家,使得武术进入更深的境界;解决了老师父一段几十年的恩怨;在暴风雨中抢救小孩;发展了一段异国恋情。「小子难缠」原班人马再度合作,比前集更富戏剧性、更感人。全剧的铺叙与发展随著台风的酝酿、来袭,处理得惊心动魄,高潮迭起将武术真义与大无畏精神表现得淋漓尽至!
片讲述咗刑满释放后嘅蒋小石唔思悔改,假借开“梦幻山庄”作掩护,骗取咗香港女老板2000万蚊嘅投资,喺山庄内藏嘅一个天然地下溶洞开设咗非法个地下娱乐场。以D高薪招聘、暴力到威胁等不法“乸渣”架手段致使啲靓女仔误入陷阱。为去到控……
Suffering from amnesia, a young man trying to discover his true identity is kidnapped by an underground crime organization and turned into a ruthless assassin.
《功夫机器侠》将中国功夫和科幻机械完美结合,加上好莱坞最强动作团队的打造,王智将大展身手,与好莱坞动作演员陈虎同框pk实力对撞。
某市发生一起奇怪的交通肇事逃逸案,刑警队长王金刚在查案时,发现该案件谜团重重,通过复杂线索,又牵扯出恶势力偷盗国家原油案件,发现幕后黑手郑氏兄弟。在查找证据和追捕的过程中,正邪之间展开了一场生死对决。
一场意外让达克(史蒂夫·麦奎因 Steve McQueen 饰)即将面临漫长而又痛苦的牢狱之灾,为了让丈夫免于受难,达克的妻子卡罗尔(艾丽·麦古奥 Ali MacGraw 饰)不惜牺牲色相,贿赂监狱的上层官员。果不其然,达克获得了特别假释,与此同时,警长拜伦(本·约翰逊 Ben Johnson 饰)告诉达克,作为交换,他必须帮他一个“小忙”——抢劫一间银行! 迫于拜伦的淫威,达克只能就范,然而,他并不知道的事,拜伦的内心里早已经判了自己死刑,他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪(艾尔·勒提埃里 Al Lettieri 饰)的男子,他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下,达克能否顺利完成任务呢?
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop? Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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