988
3.0
正片
午夜情挑
3.0
更新时间:2025年06月29日
主演:苏珊·萨兰登,玛丽-弗朗丝·皮西尔,雷夫·瓦朗 Raf Vallone,克鲁·古拉格 Clu Gulager,John Beck
简介:西德尼 middot;谢尔顿以塑造一系列的;自强不息、与社会作决死拼斗的女性 rdquo;而著称,《午夜情挑》是他的第二部小说,1977年被改编成电影。故事里面的 Noelle Page,就是这么一个不惜一切代价和社会斗争的女性,只是,在抗争中她彻底的丢失了她的价值。她的生命的全部目的,是复仇,而复仇的背后,是渴望那个绝望时瞬间照亮过自己的太阳。可惜,命运并没有偏向于迷失了自己的Noelle。 Catherine是另一种悲剧。女孩子们总是热衷于花花公子,甘愿迷失和上当,有时候明知他说的这一套,和他与别的女人说的一样,而他今天说给你的,明天也一定会再说给别人,这样也不能拒绝,幻想自己是一个特例他当然说你是唯一的你是不一样的。即便今天我们的周围,这样的例子也是在日日上演,甚至正在上演,面对这些悲剧和即将发生的悲剧,也只能哀其明明知道不幸,却又自以为是的不争。 片中有两个女性都很失败,男主角的结局也是罪有应得。主要人物里,有两个却在这个时代里获得成功。一个是Catherine的公关公司老板,他周旋于正要之间却有自己的原则,不受于各种诱惑;另一个是希腊大亨,他心胸狭窄,睚眦必报,最后整死了背叛他的人。在利用和被利用的社会关系里,西德尼希尔顿展现出强烈的社会达尔文气息。 本片由女星苏珊 middot;萨兰登主演,在好莱坞众多女明星中,苏珊 middot;萨兰登可以说是最独特的一个。她从影时间极长,却大器晚成。命运总是与她擦肩而过,她早已成为大众心目中的明星影后,但奥斯卡大奖却屡屡不垂青于她。在她年岁已高之时,反而终获殊荣。苏珊 middot;萨兰登的身上始终散发着一种优雅温和而不造做,含蓄内敛却又非常坚毅的特质,那是做为一个女人所特有魅力所在,而苏珊把它发挥到了极致,在这个浮躁的世界中,我已无法用言语来形容我的赞赏 hellip; hellip;   

2808
1977
午夜情挑
主演:苏珊·萨兰登,玛丽-弗朗丝·皮西尔,雷夫·瓦朗 Raf Vallone,克鲁·古拉格 Clu Gulager,John Beck
984
1.0
正片
美国爱经
1.0
更新时间:2025年06月29日
主演:艾什琳恩·叶尼,贾斯汀·波尔蒂,斯金·迪亚蒙德,维多利亚·莱文,凯文·尼尔森,妮佳·海特洛娃,布伦特·哈维,里奇埃·卡伦恩,萨拉·卢,瓦莱丽巴贝,斯派克·迈耶,梅丽莎·舒马赫,卡拉·库什,波士顿·布拉克,维姬切丝,莎莉·威尔逊,亚历山大·奈特,薛尼·布历克,布瑞恩·汉福德,阿纳斯塔西娅·佐林,尼古拉斯·保罗·伊巴拉,D·A·艾伦,凯特·奥尔顿,凯西·卡尔弗特,杰登可儿,切丽·德维尔,乔尔·艾森哈默尔,吉米·弗林特·史密斯,安娜福克斯,萨曼莎·霍普,珍娜·艾弗里,肯楠·詹姆斯,德鲁·莱蒂,丹特·马歇尔,伊塞
简介:一个年轻女孩邂逅一位畅销情色小说作家,发现自己陷入了一场危险的三角恋。   

310
2018
美国爱经
主演:艾什琳恩·叶尼,贾斯汀·波尔蒂,斯金·迪亚蒙德,维多利亚·莱文,凯文·尼尔森,妮佳·海特洛娃,布伦特·哈维,里奇埃·卡伦恩,萨拉·卢,瓦莱丽巴贝,斯派克·迈耶,梅丽莎·舒马赫,卡拉·库什,波士顿·布拉克,维姬切丝,莎莉·威尔逊,亚历山大·奈特,薛尼·布历克,布瑞恩·汉福德,阿纳斯塔西娅·佐林,尼古拉斯·保罗·伊巴拉,D·A·艾伦,凯特·奥尔顿,凯西·卡尔弗特,杰登可儿,切丽·德维尔,乔尔·艾森哈默尔,吉米·弗林特·史密斯,安娜福克斯,萨曼莎·霍普,珍娜·艾弗里,肯楠·詹姆斯,德鲁·莱蒂,丹特·马歇尔,伊塞
984
1.0
正片
镜子的另一面:纽波特民歌艺术节1963~1965
1.0
更新时间:2025年06月29日
主演:Bob Dylan , Joan Baez , Judy Collins
简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
416
0
镜子的另一面:纽波特民歌艺术节1963~1965
主演:Bob Dylan , Joan Baez , Judy Collins
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