影片根据真人真事改编，讲述一段发生在战火下的女同爱情故事。1943年的柏林，正是第二次世界大战纳粹时期。已婚的莉莉（茱莉安·柯勒JulianeKöhler饰）一如既往的过着毫无激情的生活，直到在一次音乐会上结识了犹太女子菲利斯（玛丽亚·施拉德MariaSchrader饰饰），一股激情四射的爱火被瞬间点燃了。她们互唤对方昵称艾米和加古娅，彼此深爱着对方。菲利斯一直在为反纳粹组织搜集资料，直到1944年的一天，被纳粹残害早逝。战火下的爱情，谁又能逃过生离死别。当真爱超越了种族与性别，是否真的存在天堂般美好的伊甸园？

一对年幼的兄弟跟家人一起从大城市搬到偏远小镇，却发现新家并不单纯。他们能否与新朋友们一起解开家中的险恶谜团？

　　A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.
　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

UnbedingtansehenMitUn/dressedgelingtRegisseurTimTrachteeinKunststück,dasdenQuotenhitMaxtonHallabging,unterderschillerndenOberflächeentstehtTiefeundRaumfürernsteAbgründe.EinFilmwieDieLiebhaberin,BasicInstinctoderBertoluccisDieTräumer.EinwahresKleinodaufAmazonPrime.

　　Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

　　菲利克斯喜欢将他的单身生活发挥到淋漓尽致，但被雪貂咬伤，使他不能生育。他尝试一切力量找到了那个即将成为他唯一孩子母亲的女人马琳。当他得知，马琳腹中孩子的消息的时候，菲利克斯怎么做的呢？

　　《没有耳朵的兔子2》德文片名原意“两只耳朵的小鸡”，在片中意指“有心，爱情就能成真”，为所有深陷爱情困境的男女，提供了打破僵局的最好解答。《没有耳朵的兔子2》去年底在德国上映时，首周即挤下好莱坞钜片《暮光之城：新月》登上了冠军宝座，单单周末两天票房就疯狂吸金三亿台币，创下了提尔史威格从影以来的最佳成绩，电影上映已超过六个月、迄今仍在上映中……
　　除了两位男女主角再度同台演出，《没有耳朵的兔子2》还邀请了《最后一次心动》男主角马提亚斯·施维赫夫继续饰演路多的换帖好友，并找来《情键四分钟》德国美艳女星艾蒂妲·玛洛芙西克（Edita Malovcic）巧扮“回锅女友”，就连蒂尔·施威格八岁的可爱女儿爱玛· 施威格（Emma Schweiger）也在片中有更亮眼的演出。
　　2007年蒂尔·施威格以浪漫喜趣力作《没有耳朵的兔子》撼动了德国影坛，并创下近20年来最辉煌的票房纪录。他在首集拍摄时即预留伏笔，打从一开始即有将故事拍成系列作的宏大野心，继之而来的如潮佳评，则让本次续作《没有耳朵的兔子2》有了充裕的资金，不仅远赴波兰国家公园搜罗波罗的海美景，更新加入了德国俊帅影帝肯·杜肯、《情键四分钟》美艳女星艾蒂妲·玛洛芙西克和原班人马一起搭配演出，不但增添了新鲜喜感，爆笑程度更超越以往。

1910年，有“音乐暴君”之称的马勒，发现心爱的太太红杏出墙，第三者竟然是Bauhaus创办人兼建筑师Walter Gropius。受尽情变折磨的马勒，远走荷兰找来正在度假的弗洛伊德尽诉心声。起初不愿意接受心理治疗的马勒，无奈坐上弗洛伊德的病人床，回忆起跟年轻19岁的太太Aima的相遇情形：两人火速热恋，互相欣赏。但婚后的马勒，却严禁太太追逐她的作曲梦。女儿逝世过后，二人的婚姻开始触礁，促成太太的出轨行为。与弗洛伊德的一席话，令马勒自信找到了挽救婚姻的方法。马勒逝世100年几年电影，揭开一代古典传奇音乐家的爱情故事。

萧索的冬天，与世隔离的小岛，环境署实习生遇到了追求死亡的阴郁流浪男子，他们决定给对方一次机会。他们商定了交往4原则：不吸毒；不呕吐；不说谎；不死。然而他们很快发现，要遵守这些原则，很难。导演Tim Staffel之前是位小说家，“西风之屿”是他第一次执导。他将“死亡美学”代入电影中，探索爱情背后的虚无。